Introduction and acknowledgements Fatfreq are a Singaporean in-ear monitor manufacturer, originally producing IEMs for stage and recording musicians. Over recent years they have built up a bit of a cult following in audiophile circles for their more "audiophile basshead" tunes models in the Maestro series, using some interesting proprietary tuning tech to deliver models with... Continue Reading →
Introduction and acknowledgement I love finding new brands, and while Pentaconn definitely isn’t a new name on the audiophile circuit, wandering past their stand at the recent Canjam London event and discovering they are now making their own in-ears in house was definitely a surprise. My curiosity piqued, I stopped to listen to their wares,... Continue Reading →
Introduction and acknowledgements Elysian Acoustic Labs are a Malaysian audio brand currently making waves in the in-ear monitor space. They started life as a one-man operation back in 2015, when founder and mechanical engineer Lee Quan Min decided out of frustration with the sound of the available IEM options on the market that he would... Continue Reading →
Introduction Living in the relative audio desert that is the United Kingdom (for over and in ear gear, anyway), my favourite time of the audio year is always July. The sun finally comes out, the rain stops for a few days and Canjam London rolls into town. I think this is my fifth or sixth... Continue Reading →
Tech specs Technology: Twin Pulse isobaric System Driver: 2x 10mm beryllium coated dynamic drivers Cable length: 1.2m Litz 392 cores OCC silver-plated + 8cores silver Impedance: 16 ohms Frequency response: 14-33.000 Hz calibrated on Isophonic curves Weight: (without cable) 6 g Efficiency: 114 dB@1k HZ, 1mW Price: 899 GBP (similar in euros) (Pic courtesy of... Continue Reading →
Acknowledgement I came across the Soundz Custom brand for the first time at Canjam London, spending a very pleasant few sessions on their table over the course of the Sunday I was there. I listened to their 6, 7, 8 and 10 driver models, and was so impressed by the Flame that I ended up... Continue Reading →
This is my fourth trip to Canjam London, which given the lack of availability of audiophile in ears and headphones across most of the United Kingdom outside of a handful of specialist dealers, makes it my fourth trip to Willy Wonka’s audio factory. There is no doubt that Canjam London holds a special place in... Continue Reading →
Acknowledgement The Kublai Khan was purchased with my own money at a small discount from the ever-helpful Andrew at MusicTeck USA for the purposes of writing a full review (which will be published soon). No input or other incentive was sought or received from MusicTeck or Noble - all opinions and words below are my... Continue Reading →
Acknowledgement The Balmung was purchased with my own money at a hefty discount from MusicTeck USA (https://shop.musicteck.com/collections/mmr) on one of their periodic sales. No incentive was sought or received for writing a review, and all opinions (however misguided) are 100% my own. Rating and specs (From back of main box) Price: $2599 RRP (at time... Continue Reading →
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