Stealth Sonics C9 – where rocket science meets rock and roll

Pros: excellent balance of detail and power, fuller and thicker bass presence than U9 with deep sub-bass, extended treble, Klarity Valve eliminates listening fatigue, good set of accessories, tough build and impeccably crafted Cons: large price difference between universal ($999) and custom, trades some resolution for musicality, carry case doesn't scream high end Price: from $1499 upwards,... Continue Reading →

CanJam London, part three: jamming with cans (HEDD, Raal, Mr. Speakers, Warwick Acoustics, dCS, HiFiMAN, Audeze)

CanJam London is the biggest headphone and portable audio show put on in the UK every year. It is the highlight of the HeadFi enthusiasts calendar and something that I have attended since the inaugural CanJam London in 2015. This year was the 5th annual edition and it lived up to its billing. I’ll be... Continue Reading →

CanJam London 2019, part two: a tour of IEMs (InEar, oBravo, Acoustune, HiFiMAN, 64 Audio, FiiO)

CanJam London is the biggest headphone and portable audio show put on in the UK every year. It is the highlight of the HeadFi enthusiasts calendar and something that I have attended since the inaugural CanJam London in 2015. This year was the 5th annual edition and it lived up to its billing. I’ll be... Continue Reading →

CanJam London 2019, part one: fun with electrostatic hybrids (Jomo Audio, Empire Ears, Vision Ears, WAVAYA)

CanJam London is the biggest headphone and portable audio show put on in the UK every year. It is the highlight of the HeadFi enthusiasts calendar and something that I have attended since the inaugural CanJam London in 2015. This year was the 5th annual edition and it lived up to its billing. I'll be... Continue Reading →

Stealth Sonics U9: bass plus refinement

Pros: Precise accurate bass tuning, tasteful bass uptick, timbral accuracy all around, good stage width and height, high quality stock cable, includes microphone cable (flexibility+), light-weight Cons: Upper mids can be a bit aggressive, aggressive elements of presentation reduce perceived stage, case not very usable from a travel perspective, does not look or feel like... Continue Reading →

Bristol HiFi 2019: best audio show in Britain, even better with friends

Bristol HiFi (previously known as Bristol Sound & Vision) organised by Audio T and What HiFi is the biggest audio show in the UK. It's huge, taking over 4+ floors of the Bristol Marriott with over 100 brands on exhibition. Many new technologies are debuted here and it's a good place to have identify gear... Continue Reading →

Flares Gold – gold plated sound

Pros: organic tonality, detailed but not analytical sound, resolution, balanced tuning, bling factor, excellent imaging, stellar Bluetooth implementation Cons: Bespoke cable limits swapping options, apart from shells build isn't "premium", possibly too neutral for some, "audiophile" foam tips very fragile Price: £999 (Flare Audio website) Specifications Introduction I've always been fascinated by IEM technology various different... Continue Reading →

Campfire Audio Solaris – sound like the sun

Acknowledgement The Solaris were very kindly provided by Ken Ball at Campfire Audio for the purposes of writing a full review. I paid nothing for these, and there is no obligation to or input from Campfire Audio with regards to the content of the review. Allegations was (politely) asked for was a few brief impressions... Continue Reading →

HiFiMAN RE2000 Gold and Silver: fantastic audio quality, fubar construction

Pros:  Well controlled extended bass, tight linear sound, impressive stage width, excellent resolution and dynamics, lovely timbre Cons: Slight recession in mids, poor shell design for mid to small size ears, there are better built IEMs for under $200 List Price: $1500 (Silver), $2000 (Gold) Product Website: RE2000 Silver, RE2000 (Gold) Pros and cons are... Continue Reading →

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