Introduction and acknowledgements Fatfreq are a Singaporean in-ear monitor manufacturer, originally producing IEMs for stage and recording musicians. Over recent years they have built up a bit of a cult following in audiophile circles for their more "audiophile basshead" tunes models in the Maestro series, using some interesting proprietary tuning tech to deliver models with... Continue Reading →
Introduction After posting about my stars of the Canjam show (see previous post [here]), here are the impressions from all the other gear I managed to listen to at this year's show. Please note that even though this stuff didn't make my "top 4", most of it was equally as impressive - this was a... Continue Reading →
Introduction Living in Western Europe, being a head-fi hobbyist is a little like being a Ferrari enthusiast. Unless you have an unlimited budget and access to your own air transport or have suitably well-heeled friends, you can admire the beautiful technology from afar, but never actual get to test drive any of it. In the... Continue Reading →
Introduction and acknowledgements Elysian Acoustic Labs are a Malaysian audio brand currently making waves in the in-ear monitor space. They started life as a one-man operation back in 2015, when founder and mechanical engineer Lee Quan Min decided out of frustration with the sound of the available IEM options on the market that he would... Continue Reading →
Introduction Living in the relative audio desert that is the United Kingdom (for over and in ear gear, anyway), my favourite time of the audio year is always July. The sun finally comes out, the rain stops for a few days and Canjam London rolls into town. I think this is my fifth or sixth... Continue Reading →
Acknowledgement The Kublai Khan was purchased with my own money at a small discount from the ever-helpful Andrew at MusicTeck USA for the purposes of writing a full review (which will be published soon). No input or other incentive was sought or received from MusicTeck or Noble - all opinions and words below are my... Continue Reading →
Acknowledgements The oBravo Ra21-C were loaned to me for a few days by the UK distributor (Phil Wannell at Audio Concierge), in order to provide some listener feedback on the updated tuning. No review was solicited (or expected - thanks Phil), and the impressions given below are entirely my own. Introduction oBravo are a Taiwanese... Continue Reading →
Introduction and acknowledgment Dunu are a Chinese brand that as a UK based audiophile I had heard a lot about over the last few years, but not actually managed to hear until pretty recently. Coming across their Falcon-C model (review here) at Canjam London 2018, I was impressed enough with their approach to tuning and... Continue Reading →
CanJam London is the biggest headphone and portable audio show put on in the UK every year. It is the highlight of the HeadFi enthusiasts calendar and something that I have attended since the inaugural CanJam London in 2015. This year was the 5th annual edition and it lived up to its billing. I'll be... Continue Reading →
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