Glassmonkey’s Headroom at Metropolis Studios 2017 Impressions

On March 25 I hopped on a coach from Southampton to London with the Effect Audio Arthur IEMs in my ears and the Aune M1S pumping tunes through my cranium for the two hour coach ride. Upon touching down in Hammersmith and marching my way down to the study I immediately asked where I needed to... Continue Reading →

April 7, 2017 2

HiFiMan SuperMini: Pint-sized nuclear powerplant for your ears in a Snickers bar size

Pros: Tiny form factor, excellent build quality, nice looking, easy UI and intuitive control scheme, ton of power, good battery life Cons: no external DAC, no line-out, no gapless (on the way?), limited playlist capability, screen protector unusable List price: $399 Acknowledgment Thank you HiFiMAN for providing this review sample in exchange for my honest... Continue Reading →

March 24, 2017 3

Airist Audio Heron 5: power and grace in form and function

Pros: articulate, silky smooth, neutral, black background like the dark side of the moon, power to spare Cons: doesn’t mate well with low impedance phones, no impedance measurements provided for low and high jacks, stepped attenuator volume control lacks sufficient steps and is noisy on step switches List Price: $1000 Acknowledgment Thanks Airist Audio for... Continue Reading →

March 10, 2017 1

Questyle CMA 600i: who needs a stack of components when CMA600i does it all so well? DSD256, fantastic clarity, plenty of drive. Heck yes, I want it.

Pros: Excellent clarity, dead silent noise floor, drives my HD600 as well as my Heron 5, balanced topology, clean pre-amp output, audibly excellent signal to noise ratio Cons: Soundstage could be wider (still average/above average), tiny indicator on volume control List price: £1199 from SCV Distribution or Audio Sanctuary in London ($1,299 in USA from... Continue Reading →

March 6, 2017 13

RHA DACAMP L1: flexible like a yogi [with the right headphones]

Pros: Good tonality, 12 steps of treble and bass adjustment, lovely volume knob, good pairing with RHA CL1 and CL750, power output good for all IEMs, excellent format compatibility, fantastic sound when fed by a DAP Cons: Impedance too high on balanced output (4.4Ω), soundstage somewhat small compared to competition, amplification too weak for hungry... Continue Reading →