RHA CL750: excellent value, assuming you have a decent amp on your portable gear

Pros:  Stellar build quality, excellent price, comfortable, fantastic quality cable, excellent clarity, good bass control, balanced signature Cons: Hard to drive, average soundstage List Price: £99 ($129) Acknowledgment The RHA CL750 was provided to me in exchange for running the UK leg of the RHA world-wide tour for the release of the DACAMP L1, CL1,... Continue Reading →

RHA CL1: the Richard Dawkins of IEMs: insensitive, brilliant, and not everyone’s cup of tea

Pros:  Excellent clarity and treble extension, good quality and quantity of bass Cons: intimate sound-stage; recessed mids; some mids details fade, veil or disappear; underdriven by many DACs and DAPs; need forward mids to sound totally right List Price: £349.95 (on RHA’s website)($449.95 from Moon audio in USA) Acknowledgment The RHA CL1 was provided to... Continue Reading →

Shanling M2s gear gallery and first impressions: a pint-sized performer

In a little bit of a different take on gear galleries, this post has some initial impressions. Things I like: Tiny. Super tiny. This thing is smaller than a pack of cards. It looks like the perfect mate to a Mojo. Can be used as external DAC Bluetooth receive and transmit (Cayin N3 does this... Continue Reading →

RHA DACAMP L1: flexible like a yogi [with the right headphones]

Pros:  Good tonality, 12 steps of treble and bass adjustment, lovely volume knob, good pairing with RHA CL1 and CL750, power output good for all IEMs, excellent format compatibility, fantastic sound when fed by a DAP Cons: Impedance too high on balanced output (4.4Ω), soundstage somewhat small compared to competition, amplification too weak for hungry... Continue Reading →

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