It’s shopping time! Black Friday a-go-go!

Now that Americans (like myself) have gobbled some soporific poultry, 16 pounds of sugar (more than a stone, for Brits), and eaten copious amounts of stuffing, potatoes and green bean casserole; it's time to waddle our fat asses to the shops, or better yet, place our fat asses in front of the ass-growing wonder that... Continue Reading →

Stealth Sonics C9 – where rocket science meets rock and roll

Pros: excellent balance of detail and power, fuller and thicker bass presence than U9 with deep sub-bass, extended treble, Klarity Valve eliminates listening fatigue, good set of accessories, tough build and impeccably crafted Cons: large price difference between universal ($999) and custom, trades some resolution for musicality, carry case doesn't scream high end Price: from $1499 upwards,... Continue Reading →

Dunu DK-4001 -hybrid excellence

Introduction and acknowledgment Dunu are a Chinese brand that as a UK based audiophile I had heard a lot about over the last few years, but not actually managed to hear until pretty recently. Coming across their Falcon-C model (review here) at Canjam London 2018, I was impressed enough with their approach to tuning and... Continue Reading →

Canjam London 2019 – part two

Acoustune This was the stall I most wanted to spend time at over the course of the weekend, after becoming a recent convert to the Acoustune "house sound" with the acquisition of one of their older models (the HS1503al) off another Head-Fi'er on eBay recently. For the uninitiated, Acoustune are a Japanese brand that specialise... Continue Reading →

Stealth Sonics U2: soul-shaking bass

Pros: Big smooth bass (faceplate on), big rumbling sub-bass murder by death machine (faceplate off), smooth mids (faceplate on), mids balanced between smooth and well-defined (faceplate off), high quality stock cable, includes microphone cable (flexibility+), light-weight, ability to alter bass tuning (removable faceplate) Cons: Sounds substantially better in its less attractive faceplate off configuration—why you... Continue Reading →

Canjam London 2019 – part one

Introduction Canjam London 2019 marks my third trip to the UK's premier headphone convention, and my second as a "press" member (i.e. blogger with a notebook). There were slightly less manufacturers in attendance this year, but more people, with plenty of people rolling through the doors of the Park Plaza in Westminster over the course... Continue Reading →

Stealth Sonics U4: love or hate bass

Pros: Confusingly powerful bass in a fully balanced armature setup—how the heck you do that Stealth Sonics!?, better with faceplate off, high quality stock cable, includes microphone cable (flexibility+), lightweight, ability to alter bass tuning (removable faceplate) Cons: bass rides everything (this may be positive for bassheads, but wasn't for me), midbass distortion (texture loss... Continue Reading →

IMR Acoustics R1 Zenith Review – Part 1 (initial impressions and unboxing)

Introduction and acknowledgement The R1 Zenith is the sophomore outing from UK based IEM manufacturer IMR Acoustics, following on from their well received R1 model. The Zenith is a revision of the original rather than a completely different beast, sporting an improved design and some refinements to the unique tuning and porting system that the... Continue Reading →

Campfire Audio Solaris – sound like the sun

Acknowledgement The Solaris were very kindly provided by Ken Ball at Campfire Audio for the purposes of writing a full review. I paid nothing for these, and there is no obligation to or input from Campfire Audio with regards to the content of the review. Allegations was (politely) asked for was a few brief impressions... Continue Reading →

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